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Cincinnati may not be famous for jazz, but rather for its professional sports (the Reds made a nice comeback in 1999, but the Bengals have a way to go). But jazz has always been a special part of the Queen City.
The Cincinnati-based J Curve Records has put together a second album devoted to Cincinnati's best exponents of jazz. "Cincinnati Jazz Collection Volume II" contains a dozen excellent tracks featuring folks who could stand along side any of todays jazz giants. The group Standard Time opens the album with a wonderful blues/bebop number called "Blues on Interstate 75." That's one of the interstate highways that crosses Cincy.
Kathy Wade shows her singing style with a nice version of "Bye, Bye Blackbird," an old song that gets a bright reading from Miss Wade and the backing Ed Moss Trio. Want a little Latin? Latin X-Posure is glad to accommodate your request with its precise rhythm extravaganza called "Countdown," written by the immortal John Coltrane.
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The Blue Wisp Big Band is known far beyond the confines of Cincinnati. This band is simply sensational, performing with a remarkable blend of great old songs and scintillating new arrangements. The combination is unbeatable. The Blue Wisp (the name comes from a night club they work in) boys are worth a trip to hear. And they are a trip to hear, come to think of it. They perform a Larry Dickson tune called "Paging Bette."
William Menefield was introduced as a teenage phenom on an album from J Curve last year. In this album, the young pianist plays a song he wrote in tribute to Bill Cosby's murdered son, Ennis. Its called "B.E. Cos," and its lovely.
Keyboardist Billy Larkins has formed a new trio called "Triage," and the notes say the song played here, "One More Day," is a salute to Larkins' mother, who died last April.
J Curve released Phil DeGreg's first album about a year ago. On this collection he's heard on "Satan Takes a Holiday." DeGreg is joined by clarinetist Joe Lukasik. DeGreg, who's a professor of music in Cincinnati, has a light touch and sure jazz feeling that makes his sound distinctive and pleasing.
Judy James has been around Cincinnati forever, or at least it seems that way. Easily the equal of singers who went on to major fame and riches, Judy stayed around home and entertained all who heard her. The voice is in good shape, as is Judy, on a solid version of "Angel Eyes." Not just anybody can sing that classic and emerge unscathed. Judy does just fine.
Cal Collins, mentioned earlier, joins with the Kenny Poole Quartet to offer a fine arrangement of "There Is No Greater Love." Pianist Steve Schmidt's Trio plays "Monkyside," which is Schmidt's idea of what Thelonious Monk would have done to "Sunny Side of the Street." Interesting! The album wraps with a Dixieland version of "Southern Stomps" by the Frank Powers' (no relation) Jazz Ensemble.
The scope of the project will range from the avant-garde compositions of such as James "Blood" Ulmer and Anthony Braxton to the long out of print and commercial recordings by Dizzy Gillespie, the Modern Jazz Quartet and John McLaughlin. The first three rare reissues will be Rashied Ali's classic Survival label, reissues from legendary producer Alan Douglas, including the complete Wildflowers loft jazz sessions, and rare live performances from the visionary drummer Ronald Shannon Jackson and his highly influential band, Decoding Society.
Michael Dorf, who is CEO of Knit Media and Knitting Factory, said, "This label is recognizing the music that the Knitting Factory grew out of when I started the club in 1987. It is an honor to work with the building blocks and go backwards to the foundation of this important and largely unrecognized music." Legendary drummer and proprietor of Survival Records, Rashied Ali said, "This is untouched music. These recordings were born out of a struggle for recognition and now Knitting Factory is giving this music a chance to blossom."
All Knit Classic titles will only be available on line at www.knitclassics.com and www.jazze.com until March 2000. There will be limited offers, special prices, and unique artist information available for all Web consumers who purchase the Knit Classic titles on line. After March, 2000, Knit Classics will release and distribute selected titles from each aforementioned catalog to worldwide retail market places.
You'll get there by following the link at www.traumton.de or go directly to www.traumton.de/shop/.
In 1962 I worked as a copy editor at The Cincinnati Post and many evenings during those halcyon times were spent in one of three downtown night clubs, all of which featured jazz played by local musicians who achieved a measure of renown on the national scene. One that I remember distinctly was Cal Collins, a superb guitarist who later was heard frequently on albums released by Concord Records. His stellar support was featured on a number of Rosemary Clooney's album during her "comeback" years.
Ann Chamberlain sings with a satin smoothness (that's what the album notes author, William Lawless Jones also says) on the infrequently heard "Sunday in New York." Chamberlain, who's worked with such jazz players as Slide Hampton, Freddie Hubbard, and Bucky Pizzarelli, works the Cincinnati scene with trombonist Eddie Morgan. On this track, they're backed by the Wayne Yeager Trio.
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Knitting Factory Launches Reissue Imprint Label
Knitting Factory Records, the eclectic record label parented by KnitMedia, announced it will launch a specialized imprint label called Knit Classics. The imprint will focus on classic titles of historical and social significance with a spotlight on obscure and previously unreleased gems.
Traumton CDs Available On Web
Traumton Records, based in Berlin, Germany, has opened its online store, that enables people from all over the world to buy Traumton CD's via credit card online. Traumtons Stefanie Marcus said data will be transferred via secure SSL server. " "We try to keep prices reasonable (especially for international shipment)," she said. Orders will be fulfilled within 24 hours.
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